You could easily say that each episode is a test for the two lovebirds. Tsukasa herself has trouble expressing her feelings and this usually translates into dozens of awkward moments between the duo. For instance, it took a lot of convincing for Tsukasa to tell Nasa to talk to her without being so formal. However, the two are lack experience when it comes to actual romance. On the other hand, Tsukasa sees Nasa as a gentle soul with a selfless nature that truly values her well-being. Nasa sees Tsukasa as a girl that you can only dream of even dating, let alone marrying. From the very first few episodes, we can deduct that both main characters does have attraction towards each other. One of the first questions may be why these two would get married in the first place? Doesn’t marriage take time and commitment? They barely know each other but now are a married couple, a type of relationship that may last until death do them apart. When you have two main protagonists get married from the very first episode, there’s bound to be endless questions popping into your head. If you don’t believe me, just watch their union and signed registration. Nasa and Tsukasa develop a relationship quickly as they get married in the very first episode. When we talk about fate, it seems characters are destined to meet and one of the recurring tropes from the author’s previous work. Is it fate when at that moment that he encounters his future wife, Tsukasa Tsukyomi? And that’s the funny idea about fate. Watching Tonikaku Kawaii gave me a similar impression at first when we meet Nasa Yuzaki, the main protagonist who gets involved in an accident. Most of his works often deal with romantic comedy elements and among them is Hayate the Combat Butler. Kenjirou Hata isn’t known for being a masterpiece storywriter. Fall 2020 decided to give us a truthful romantic comedy of a married couple, and by marriage, I mean commitment And of course, let’s not forget Summer 2020 that gave us ‘Kanojo, Okarishmasu’ a rom-com with relationships based on lies. Spring dropped us into a fantasy world of reverse harem and otome tropes with My Next Life as a Villainess: All Routes Led to Doom. We had ‘Science Fell in Love, So I Tried to Prove It’ at the beginning of the year, where the idea of romance became an experiment as part of its storyteller. This year, 2020, had a strange phenomenon of rom-coms.
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